So Damien Hirst is hosting a show for Jeff Koons at his narcissistic London gallery this summer. This culminates the incestuousness that comes from two appropriation sellouts promoting each other and now apparently attempting to exclude as many middle men as possible from their business of art. In other words, maximize profits and the bottom line – the 1% ‘Corporate America’ ideal that has brought this country to record inequality and near economic ruin. So appropriate from these CEOs of Art who’s talent is really only for business. Incredible move from two artists who have enough money to burn but refuse to spread the wealth. Oh sorry, I recently read that Koons “sometimes takes a helicopter to his farm” in Pennsylvania from NYC but thinks he’s not rich LOL. These guys need to actually try to draw something on their own that isn’t primitive genitalia. Hirst has his serfs paint grids of polka dots in paint store swatch colors and Koons has his peons paint internet images of digital collages. This passes for great art from these two great executives who never get their hands dirty and promulgate the Warholian idea that an artist’s hand should disappear from their art. Of course they do – their one hand can’t even trace their other haha! These CEOs show talent in stealing images from real artists, never mind that their factories also produce the objects – and on the few ocassions when they don’t appropriate, they manage to produce bad porn or prudish science projects. The great mystery is why no-talent artists who sellout by embracing consumer society and kitch have such success in the contemporary art world.