This Whitney Biennial is not a Gas

Protests directed at Whitney Museum co-chair Warren Kanders finally led to his resignation and that of his wife who was also involved in some museum committees. It was about time. There is no room for artists to surrender their principles to profiteering warmongers, arms manufacturers, or criminals who capitalize on abusing people or nature. Shame on the few artists who resisted the call to boycott this version of the Whitney Biennial in a year of protests. In particular I was shocked by the cowardice shown by Puerto Rican artist Nibia Pastrana Santiago who was apparently herself gassed by Kanders’ chemicals during legitimate non violent protests aimed at governor Ricardo Rosello on the island. According to Hyperallergic, Nibia said “My work is not something that can be uninstalled, the work in itself is my body in action…”. What nonsense and pathetic rationalization! Just say you’re opposed and won’t show sister! Find some valentia and quit making excuses to not join your principled exhibitors and remain in a tainted exhibit. Maybe you will find a way to just remove your ‘body’ from these soiled spectacles if you ever find some real art identity. And shame on all the other artists who for one reason or another preferred the prestige and exposure of the show to taking a moral stand against the corruption of museum philanthropists. It is past time that artists take a stand against those who seek the prestige and affirmation of the art world through museum boards while they exploit and abuse human rights and decent standards. Hopefully this is just the beginning of a trend, now more frequently visible through organizations like ‘Decolonize This Place’, who deserve credit for leading the protest against the Whitney’s complicity with “…death, disaster, and destruction” and raised consciousness among the artists selected. Maybe next time such efforts will be joined by present art-cowards like Santiago who missed their chance to stand against hidden artworld creeps.

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